The Liuhe (六合 Six Harmonies) are a key to many traditional Chinese martial arts. However in the North of China amongst the Huizu (Chinese Moslem) community a thorough martial art system which is centuries old is practiced that allows the mastery of the perfect harmony and the achievement of excellent combat skills and effectiveness. It is one of the older martial arts and is thought to have influenced many others styles in the Central Plains.

Forward and backwards, left and right, up and down are the six co-ordinates. Yin and Yang, rise and Fall, Movement and stillness are the six co-ordinates.  Jing, Qi and Shen, Eyes, Limbs and Body are the 6 co-ordinates. Wrists and ankles, knees and elbows, shoulders and hips are the 6 co-ordinates.

Legendary Origins

There are many legends to the origin of Liuhequan (六合拳 Six Harmonies Boxing), some suggest that it was a faction of the Shaolin school or Liuhe branch, Shaolin Weituomen, Shaolin Yupai (少林韦陀门). This is was mainly propagated by Wan Laisheng, a famous Liuheziranmen practioner. Another legend is that it original from ancient moslem methods where the Liuhe are actual references to the Huizu headwear. Thirdly, it is said that Yuefei, had developed the essentials of the style Liuhequan and Liuheqiang (Spear) in the Song dynasty which he taught senior members of his army. This is mainly as a result of the famous text Liuhequanxu (Preface to Liuhequan) which is a part of the Xinyi tradition.

What is a key irrespective of legend is that the primary concept of six coordinations/harmonies that is essential to the style is common and critical element in many martial arts. In its simplest concept this refers to The Nei Wai San He (Internal 3 and External 3 Coordinates), 3 Internal are Xin, Yi and Qi and the 3 External are Hands/Legs, Elbows/Knees and Shoulder/Hip. So Xin and Yi coordinate, Yi & Qi Coordinate, Qi and Li Coordinate. Externally Hands and Legs coordinate, Elbows and Knees Coordinate and Shoulders coordinate with Hips. The Internal and External Combine into one (Nei Wai He Yi), this then is Liuhe.

History and Development

Liuhequan is considered an ancient martial art, the earliest records however date to the Ming dynasty. A famous warrior Zhang Ming (张明) passed through Qingzhen Balizhuang in Botou village, Hebei Province, when he collapsed as he was injured and had been ill. Cao Zhenpeng (曹振朋), a huizu (chinese moslem) took the injured warrior into his home and gave him medical attention. As a result Zhang Ming was indebted and passed his martial arts skills to Cao Zhenpeng. Master Zhang would watch how diligent and ardiously every morning Cao Zhengpeng practised and was impressed by his dedication and development that he also passed on all his boxing and martial skills, including boxing manuals to him. The art was Liuhequan. 

Cao Zhenpeng only taught his son Cao Sheng who in turn passed the art to Li Guanming and in his later years to Shi Jinke, Shi Changchun and Zhang Maolong. Since the great master Zhang Ming made a point of advising Cao Zhenpeng not to transmit the art easily, It is only in the fourth generation that the art commenced being taught to others.

Shi Jinke taught around 18-20 disciples, who all became well known in the martial world. These include “Heixunfengshenliqianjinwang” (Black tornado Spirited, Strength of 1000 Catties King) Shi Jinsheng. Others included Shi Jinhe, Shi Qingzhen and Tian Kechun. Since Liuhequan emphasises the three methods of strike, lock and throw, many Liuhe masters became well known for their Shuajiao (Chinese Takedowns and Wrestling) skills and have instrumental in the development of Shuaijiao.

Development of Liuhe Quan

The original place of concentration and practice is in Botou City, Hebei Province south of Cang County. Mainly inherited by the large Chinese moslem community, it used to be taught with the Huizu Mosque and amongst villagers. Through generations the art has been improved on and developed. Since Shi Jinke was so important in the propagation of the art often Botou Liuhequan is referred to as Shi Family Liuhequan. 

Li Guanming, a Hui from Cangzhou, was an expert of Tantui Men and other boxing methods before studying in Botou under Cao Sheng. Li absorbed many great techniques from the Cangzhou region including styles such as Chahua, Guangdong, Guanxi, Hongquan and specialized weapons such as Qingping Sword from M. Yang En'lin. Li became extremely capable and his Biaoju (Security Logistics Bureau) known as Chengxing Biaoju became both the most respected and the most feared in Cangzhou. In fact there is a famous saying that all Security Bureau's would have to drop their flags when passing Cangzhou. Whilst commonly told because Cangzhou was home to so many martial arts experts that one should be humble. However, the real legend relates to Li Guanming and his feats of strength, his amazing combat and weaponry skills, the power of his Chengxing Biaoju and the skills of his inheritors. It because of Cangzhou Da Liuhe Men's founder, Li Guanming that Cangzhou became so renowned. 

A well known master Liu Dekuan, was originally from Cangzhou. studied Liuhequan with Tian Chunkui and Li Fenggang (Li Guangming's nephew). Later he taught various disciples taught in Beijing including Zhao Jinzhou, Xu Wansheng (1878-1945), Wu Junshan and Li Yongzhu. Practitioners evolved Liu’s teachings to formulate the Beijing Liuhequan school. Since Master Wan Lai Sheng was a well known master of Ziranmen his descendants mostly from Fujian, are often recognized majorily for their Ziranmen. Ziranmen Liuhequan being a derivative of Beijing Liuhequan implies that it is also part of the modified Liuhequan as developed by Master Liu Dekuan. Master Wan Laisheng, became famous many years ago in 1928, through his activities and actions associated with the Central Guoshu Institute of Nanjing, thereafter he was sent to South China (Fuzhou, Fujian Province) to assist in the teaching and development of martial arts. 

Li Shuting (1863-1939) studied with Li Guanming and his disciple Wang Dianjun and later also received instruction from Li Fenggang.  Li Shiting's disciples included Hu Yuntian, Zhang Fengshan, Zhang Dieshan, Liu Yunting, Wang Shaofu, Li Baode, Wang Zixiang, Zhang Baochang, Zhang Zhenjiang, as well as his son Li Zhiyun. Li Shuting was also the first teacher of well known M. Wang Ziping becoming his disciple in 1910. Li Zhiyun (1910-1984) was the son of Li Shuting, he had lived through a lot of turmoil in China and was able to preserve much of Da Liuhe Men. Li Zhiyun taught disciples including Zhang Shaofu, Li Jinrong, Ma Honglin, Zhao Guangdi, Zhang Yingjie, Ma Zhenzhi, Li Hongsi, Wu Jinming, Zhang Kaisheng, Wang Junxiang, Yin Guangpu, Li Baosheng, Yang Liyuan, Wang Youdong, Ma Shuangwei, Zhang Wenzhong, Xiao Wenxu, Wang Wencan and taught his son Li Junde (1960-), the current generation keeper of the style.  

Another well known master of Liuhequan was the great Tong Zhongyi (1879-1963), Manchurian from Cangzhou, Hebei province, who defeated Sichuan Master Wu Shaoji at the Nanjing All China Guoshu meet. He later became well known and taught in Shanghai. Tong Zhongyi had studied with his father, a disciple of Li Guangming. Regarded as Shanghai Liuhequan, the style has become popular with many practitioners including his early disciples in Cangzhou such as Guan Wenquan, Guan Jixiang and Zhao Yongfu. Master Tong's family especially his daughter Tong Peiyun (who later moved to Singapore), Tong Jiayi (Taiwan),Tong Jiajun, Tong Jialu (Shanghai). Also his son in law (Tong Jiayi's husband), Li Yuanzhi (Taiwan) and his main disciples in Shanghai included Liu Fei and Yu Fengyi as well as those general students from his school in Shanghai. Some practiced specific skills (like Shuai Jiao wrestling) or aspects, rather than the whole Liuhe Men System. 

Key Lineages and branches of Liuhe Quan

Cangzhou Liuhequan (沧州大六合门 Da Liuhe Men) - This branch is the one which made Liuhequan famous as many great Masters were from this lineage. This branch was later to be known as Da Liuhe (Great Liuhe) both because its masters would learn from other styles thus making the system larger but also because of its status in the martial world at the time. This branch is from the descendants of 5th Generation Li Guanming whom had first studied Tantui Men in addition to Liuhe Men. It includes notables such as Li Fenggang, Wang Zhenyi (Da Dao Wang Wu), Tong Zhongyi, Wang Ziping and Li Shuting. 

Botou Liuhequan (泊头六合拳 Liuhe Quan) - This is branch in which the decendants of Shi Family (5th Generation Shi Jinsheng) continue their practice. Both Botou Liuhequan and Cangzhou Liuhequan have similar content in terms of the respective routines and practices, However, Cangzhou Liuhequan includes a lot more material as s during the Biaoshi (Security Logistics/Bodyguard services) times, practitioners would absorb skills from around the region.

Beijing Liuhequan (京师六合拳 Jingshi Liuhe Quan) - This branch is from the descendants of 7th Generation M Liu Dekuan. M Liu studied many martial arts and re-organized Liuhequan into simpler concise routines. His descendants thereafter practice a unique type of Liuhequan, referred to as Beijing or Jingshi Liuhequan today. Another descendant of the Beijing branch includes Wan Laisheng, best known for his Ziran Men, Wan Laisheng also re-constructed the forms and contents of Liuhequan and taught in the South of China (Fuzhou). Thus this sub branch of Beijing Liuhequan, is today referred to as Fuzhou Liuhequan (少林六合门), or ZiranMen Liuhequan (自然六合门). 

Curriculum of Taiping Liuhe Quan

Liuhequan is characterised by very clear and defined movements, where there is change but the points of pause and action are clearly divided. The postures are interconnected and the applications straightforward. Liuhequan aims to combine the internal with the external in a balanced harmonious and mutually supportive manner. Taiping Liuhequan is comprehensive including a number of Liuhequan family styles (Cangzhou Da Liuhe Men, Tong Style Liuhe Men, Jingshi Liuhe Men).

The 6 Harmonies of direction: North, South, West, East, Up and down. The 6 Harmonies of the parts: Hands, feet, elbows, knees, hip and shoulders. And so on. In basic skills development Liuhequan concentrates on the 5 skills of Zhuang (Stance), Yao (Waist), Tui (Legs), Zhang (Palms) and Qi (Underlying energy). 

In combat it is said 'Once the hands are released then they will strike, if the hands must be retracted the will grab, yet should the hands be lockup up then they will throw, whilst once the legs rise they will kick:" (出手便打,顺手便拿,缩手便摔,起脚便踢) Thus we emphasize:

  • Ti (Kick)
  • Da (Strike)
  • Na (Grab/lock)
  • Shuai (Throw)

Therefore in principle every strike can be followed by Chi-na techniques and thereafter by a throw. The development of combat then concentrates on the Bamu (8 roots) of : Ti (kick), Da (Strike), Shuai (Throw), Ji (Hit/beat), Qin (Sieze), Na (Grab), Xie (Take out) and Dian (Press). 

Watching in the 6 aspects and fighting in the 8 directions, calmness externally with pure intention internally, the liuhequan practitioner can succeed. Given Liuhequan's combat approach, the practice is comprised of 3 main components :

  • Structure
  • Strength & Locking
  • Throwing & Wrestling

To develop structure, students are required to practice basic movements, Liuhequan is very structured so that Tantui prepare a very good foundation upon which students can build their skills. Tantui is comprised of rows of simple combinations that are repeated, this repetitive process develops both the strength, stamina, coordination and structure required for the further aspects of Liuhequan. 

Whilst developing structure and learning the basic methods of Striking (including all parts of the body, legs, knees, hips, back, elbows, hands, head etc...), students also commence the various Shuajiao exercises including stepping methods, various grappling and hand trappings, body and back strengthening, methods of entry, basic throws, lead throws, captured throws, deceived throws, and reverse throws. This then leads to combinations practices, sparring and combat. Concurrently students learn methods of evasiveness, agility and striking, many combinations form small 2 man drills and coordination methods which eventually lead to full 2 man combat set practice, applications free practice and open combat. 

Grappling is developed by various exercises followed by the development of grappling alertness so that the practice of Chin-na becomes logical and natural, from the basic self defense grabs to the advanced breaking, limb destruction and artery sealing grabs. This then leads to the practice of two man combat sets designed with many Chin-na methods within and the development of Fan Chin-na (Reverse/Counter Chin-na). The latter stages is when students combine their striking abilities with their locking and throwing ones. The result is a complete and fully capable martial artist which by coordinating all aspects of the body, success in Liuhequan would result.

Empty Hand Sets

In Liuhequan some of the earlier forms are simple comprising of few techniques repeated in rows to enforce good technique, strength and structure. Students would often commence with Tantui and Liuhequan, progressing to the more advanced methods in time. Combat and associated strength training is as per the methodology and are concurrently addressed. Applications are practiced via the many two man forms and by other drills and free combat methods applicable to the style. Such combat includes the use of striking, kicking, locking/grappling and throwing.

  • Liuhe Tantui (六合弹腿 6 Harmonies Spring Kicks)

Core Liuhe Quan Routines

 These are considered the heart of the system - each series is in two parts usually referred to as Qianhou (Former and Latter).

  • Liuhe Quan (六合拳 6 Harmonies Boxing)
  • Xingmen Bashi (行门八式 8 Postures moving gates)
  • Huilong Quan (回龙拳 Returning Dragon Boxing)
  • Yingmen Pao (迎门炮捶 Towards the gate Cannon)
  • Meihua Quan (梅花拳 Plum Blossom Boxing)
  • Za Chui (砸捶 Hammering Strikes)

Advanced Liuhe Quan Routines

These are either advanced or created by by past masters which brought new techniques either from their experiences or practices of other martial arts. Many of these have also been influenced by other Cangzhou martial arts including Yanqingquan, taizquan, dahongquan, tantui, guangxiquan and Tangquan as examples (and those styles by Liuhequan). However, the practice method and power are all in the manner held by the principles of Liuhe Quan.

  • Wu Hua Pao (五花炮 5 Cannons)
  • Ba Chai Quan (八拆拳 8 Dismantles Boxing)
  • Duan Chui (短捶 Short Strikes)
  • Lie Shen Quan (烈伸拳 Strengthen & Stretch Boxing) 
  • Hua Gong Quan (佟氏化功拳 Transformation Boxing)
  • Si Lu Kao Da (拷打 4 Roads close striking)
  • Xing Ba Shi (佟氏形八勢 Pattern 8 Postures)
  • Liu Jia Shi (六家势 6 Families Postures)
  • Lian huan Quan (萬氏连环拳 Continuous Boxing)
  • Guan Dong Quan (关东拳 Passing the East Boxing)
  • Guan Xi Quan (关西拳 Passing the West Boxing)
  • Jie Da Quan (截打拳 Intercepting Strikes Boxing)
  • Xing Quan (三十六大招行拳 Moving 36 Major skills Boxing)
  • Xuan Feng Zhang (旋风行掌 Moving Whirlwind Palms)
  • Mei Hua Bian (梅花八步行拳 Moving Plum Blossom Changing)
  • Heihu Quan (黑虎拳 Moving Black Tiger Boxing)

Combat (2-man) Liuhe Quan Routines

Although there are many more drills and sub 2 man routines in Liuhequan, these are the specific sets which develop various specialties of combat development.

  • Xiao Shou (小手 Small Hands)
  • Gou Shou (钩手 Hooking Hands)
  • Cai Shou (採手 Plucking Hands)
  • Za Shou (砸手 Smashing Hands)
  • Chin Na Shou (擒拿手 Locking Hands)
  • Shuai Shou (摔手 Throwing Hands)

 

Liuhe Quan Weapon Routines

Broadsword

  • Liuhe Dao (六合刀 (前/后))  6 Harmonies Broadsword)  
  • Ba Bu Lianhuan Dao (八步连环刀 8 Step Continuous Broadsword)
  • Ruyi Lianhuan Dao  (如意连环刀 Ruyi Continuous Broadsword)
  • Shi'er Lianhuan Dao (十二连环刀 12 Continuous Broadsword)
  • Jinbei Lianhuan Dao (金背连环刀 Golden Back Continuous Broadsword)
  • Fengmu Lianhuan Dao  (风目连环刀 , Eye of the Tornado Broadsword)
  • Liuhe Xing Dao (行刀 , 6 Harmonies Moving Broadsword)
  • Liuhe Shuang Dao (六合双刀 6 Harmonies Double Broadsword)
  • Liuhe Kan Dao (砍刀 6 Harmonies Chopping Broadsword)
  • Liuhe Zhan Dao (六合战刀, Long Battle Saber)
  • Liuhe Pu Dao  (六合朴刀  Long Handled Broadsword)
  • Liuhe Chunqiu Da Dao (春秋大刀 Spring Autumn Long Handled Saber)

 Sword

  • Baxian Jian (佟氏八仙剑 8 Immortals Sword)
  • Wuxing Jian (五行剑 5 Moving Sword)
  • Kun Wu Jian (昆吾剑 Kwun Wu Sword)
  • Yang Style Qingping Jian (杨氏青萍剑 (一至六路) Qingping Sword)
  • Chunyang Jian (纯阳对剑 (一至十二路) Chunyang 2 man Duel Sword) 
  • Liuhe Shuang Jian (六合双剑 6 Harmonies Twin Swords)

Spear

  • Meihua Qiang (梅花枪 Plum Blossom Spear)
  • Liuhe Jiazi Qiang (六合架子枪 (一至六路) 6 Harmonies Jiazi Spear)
  • Shuang Tou Qiang (双头枪 Double Headed long Spear)
  • Shuang Qiang (双枪 Double ended short spears)
  • Liuhe Qiang (六合花枪  (前/后))  6 Harmonies Spear) 
  • Liuhe Da Qiang (六合大枪 6 Harmonies Long Spear) 
  • Liuhe Xing Qiang (六合行枪 (一至六路)  6 Harmonies Moving Spear)
  • Zi Xu Spear (子婿枪(一至六路) General Zi Xu Spear )

Other

  • Liuhe Gun (六合二郎棍 Six Harmonies Staff)
  • Hu Shou Shuang Gou (护手双钩 Guard Hand Double Hook Swords)
  • Sun Bin Guai (孙膑拐 Sun Bin's Crutch)
  • Liuhe Shuang Chui (六合双锤 Double Hammers)
  • Chen Xiang Guai (沉香拐 Agarwood Crutch)
  • San Jie Gun (三节棍 3 Sectional Staff)
  • Shuang Shaozi Gun 双梢子棍, Double Section Staff) 
  • Shuang Huan (双环 Double Rings)
  • Liuhe Chan (六合铲 Long Handled Spade)
  • Liuhe  Fengchi Tang (六合风翅镗 Phoenix Wings Rake)
  • Liuhe Fang Tian Hua Ji (方天画戟 Halberd)
  • Liuhe Qinglong Ji (青龙戟 Single Moon Crescent Halberd)
  • Liuhe Shelong Ji ( 蛇龙戟 Single Moon Crescent Snake Halberd)
  • Liuhe Fu (六合斧 Long Handled Axe)
  • Shuang Fu (双斧 Double Axes)
  • Ma Ye Ce (马呀 Horse Teeth Blade)
  • Liuhe Yueya Gou (六合月牙钺, Moon Hooks) 
JSN Epic template designed by JoomlaShine.com